Getting Away with Murder: A Comic Book Kickstarter

I can’t say I had it tough growing up. At least, not in an outward way that would make sense of the heroin cravings and passionate strangulation of “Getting Away with Murder: A Lowlife Story”.

For me, the mental maelstrom and cynicism I experience daily is what shapes my characters. This inner struggle reacting to an outside force is where my stories start. The chaos and constant fight of addiction and the overwhelming corrosive force of guilt are the internal struggles of the nameless main character in, “Getting Away with Murder: A Lowlife Story”.

Back when I was more of a musician, playing shows all around New York, my band had played a show at this lounge in Brooklyn. The lounge has since closed down and at the time it was not thriving with activity. But when you walked in there was a huge empty floor with a couple pillars disrupting the view across the lounge. There was a stage that was painted the same matte black that coated the whole interior of the building and just past it was a hallway to a couple dressing rooms. There were three acts playing that night and only two dressing rooms. We were first to arrive so we put some of our equipment in one of the dressing rooms thinking ourselves grand that we had as large a room to occupy before going on.

However, as the other acts showed, we were relegated to the hallway, letting the “bigger” acts have the preparatory space. I remember having forgotten a piece of equipment in our former dressing room. I opened the door while knocking, not expecting anyone to be naked but instead seeing the 12-piece band, the headliner that night, all turn to look at me, aghast that someone should walk in. The lead singer was hunched over in front of the makeup mirror, the kind with the clear bauble bulbs so bright you don’t see a crevice in your skin, with a line of coke just below his nose. Their brief look of fear quickly changed to anger. Who the hell was I and all that nonsense.

But really, who the hell were they? We were, all of us, nobodies.

Our story, “Getting Away with Murder: A Lowlife Story” came somehow and somewhere from that idea. The main character, a rocker who had a brush with money and fame, now forced to live a middle class life not only addicted to heroin but addicted to the thrill of playing. He thirsts for the old days of people cheering for him, of having “rock star privileges”, and the parties where he’s the focal point. He’s on the downslide of stardom, plummeting toward being a nobody and it’s the most painful thing. Also, he just killed his ex-groupie.

Two MoCCAs ago, I was walking the floor when I met MJ Steele (MJ's Site). He had an 11” x 14” inked drawing of Kurt Cobain mid-air playing his lefty fender strat in a warehouse to a silhouetted crowd, the Seattle Space Needle seen through one of the warehouse windows. No doubt about it, I had found the artist to help me tell this story. 

MJ’s style could be compared to more known talents like Sean Murphy or Rafael Albuquerque. Could be. If I were forced to make the comparison. The reality is, he draws inspiration from those artists while still maintaining his own unique style. He’s a balance of precision and broad strokes. Sharp black lines meeting swooping water colors. MJ studies illustration and cartooning at the School of Visual Arts.

Once MJ started churning out fully inked and beautiful pages, we need a letterer. We were lucky my brother, Thomas Griffin (Tom's Art), who can do any part of comic work artfully and skillfully, stepped in. He lettered the pages without the black outlines typically seen on word bubbles and captions. This let the bubbles fit MJs artwork without the obvious outside source that can sometimes disconnect the words from the pictures.

Currently, we’ve started a Kickstarter campaign to help us raise the funds and some buzz for this one-shot comic. Check it out at this link:

https://www.kickstarter.com/projects/583569168/getting-away-with-murder-a-lowlife-story

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Article by Sean Griffin. Sean is a writer and co-founder of Gryphon Knights Comics. He currently writes the comic book "Hero" for GK and is studying Creative Writing for his MFA at Manhattanville College.

Stylistic Differences and Their Effect on a Comic Book

Today I was thinking about stylistic differences. In fact I was talking with my brother about that very thing. I had mentioned to him my need to refine my art style, and he commented that for the last book I illustrated the art was perfectly fitting for the content.

   
Greasers in Greece is after all a comedy and my style tend toward the cartoonish and silly. Its not that I can't do other styles, but this is the one that really fit the content. If you check out the image to the right you can see that this is the style that encompasses the Greasers and their universe.


One of the final things my brother had said was "imagine if the Greasers were drawn by anybody else?" after a paused he added, "Or more specifically what if it was done by someone like Rob Liefeld?" Its that final comment that got me thinking. Its true that style can totally change the feel of a story. And as is often the case, when a muse seizes you you can do nothing but obey.


For those that are not familiar with Rob Liefeld's style it is very different from my own. His characters are often tall have rippling muscles and more often than not have grim serious expressions on their face. He is at times ridiculed but he became popular and well regarded in the industry so quickly that his style became iconic. Liefeld changing his own style would be Jennifer Grey getting a nosejob all over again. Her look was iconic and changing it made her unrecognizable.

Understanding that detail I took my cartoonish style and replaced it with a more Liefeldian image. It completely changes the effect and the mood of the book.

Style can be intrinsic in creating the right pairing between art and writing. I had to be wary of this for the horror book called The Only Choice by Indie Comics Tracker. I used heavy contrast to set a dark and haunting tone to the book.

Next project you work on keep these concepts in mind so you might have great success!


Sir Thomas J. Gryphon is an artist and plebeian playing at making the next great comic, books like WOW Signal and others at GRYPHON KNIGHTS COMICS.

An Introduction & a WIZARD

So I've been an artist with this team of Gryphon Knights Comics for about a few months now and we've gotten some cool stuff done.

We've redesigned an old site, we've got a Twitter up and running, we have a vibrant facebook with lots of extras and images, and then of course there is our website for Gryphon Knights Comics, to which we have recently added another comic. All in all its a fun gig. I feel like the coolest thing about our site is that we offer most of our books for free to readers with the exception of Greasers in Greece.

My contribution to the site is illustration for the book HERO, and I write and draw the Wow! Signal and I co-write and illustrate the Meanwhile books. You can also find a bunch of my other artwork on my deviantART page.

So introductions aside this blog will be run by the three owners of the company to talk about it, their influences on their art especially what has helped inspire them to create the books they have.

With that said let me impart on you a little advice the Simpsons once gave me: If you are ever in trouble, just blame The Wizard...

Tom Gryphon

"A WIZARD DID IT!"