Webcomics Review: Fighting Stranger

I draw a lot of webcomics for GryphonKnights Studios  but on my down time I also like reading and discovering new webcomics. Sometimes they really pull me in and I find myself waiting for the next update. Usually it's only a one page update; the story doesn't progress much. But once in a while that one page changes everything.

Fighting Stranger written by Adam J. Monetta & Illustrated by Juan Romera, starts off with a beautiful splash page; A man in a cloak finds himself standing over a city remembering no more than the city's name. He wanders into the tiny cramped metropolis, and finds it to be a  mostly, deserted wasteland. He's tries to kill a fugitive mutant and is led out of the city towards another.

A man in a cloak finds himself standing over a city remembering no more than the city's name, This purposeful repetition and mimicry of the event that starts the book is what immediately sets Fighting Stranger apart from any other dystopian sci-fi. When I came to this point, I wondered if I accidentally started the comic over, and my sense of disorientation and uncertainty at this moment made me realize that I was sharing the feeling of the main character of the series. Arriving at a similar point, not sure exactly if we've been here before. It's this ability to allow the reader to empathize with it's protagonist that made the series go from entertaining to riveting, as you begin to wonder and read as the mystery of these cities and the stranger slowly unravel.

The Stranger isn't a very compelling character. He is a worn rugged mercenary archetype. The supporting cast, however, kicks ass! The citizens of this world are constantly trying to manipulate the stranger for their own ends. The Strangers stoic persona, is countered by these characters from C4D to Lacey, whose rough existence creates entertaining, dark humor which immerses me in their world.

The art and coloring of this gritty, arid planet draws you in. The colorist is excellent at conveying texture on every element of the set, from the cold metal of a gun to the rocks to the red sky. I am also a fan of the lettering, particularly  the robots' font.

I would be loath to forget mentioning the action sequences. They are amazingly story-boarded! The fights with the mutants each is laid out like a video game boss-fight, as certain mutants only have a couple of weaknesses.

So step into the rough world of The Fighting Stranger and then let me know what you think of the series, and we can theorize together!

Signing off!

T Griffin would also be remiss to forget to mention his own sci-fi, non-dystopian works WOW! Signal and Felix and Saw

Your Promiscuous Comic

So your into comics, huh?

The truth is comics have been around.

There's not one comic that exists that you can claim as yours. The X-Men issue #1 you own was handled by at least one factory worker, at least one distributor, and at least one retail worker before those perfect corners, luscious colors, white gutters, even staples ended up in your hands.This was before you sent it to CGC services to get it graded and slabbed.
Thank God, those CGC guys use protection when handling your book! Who knows what those other guys had!

Maybe you can claim the comic you wrote, or drew is yours. What about the copy that ended up with a 5 year old? She colored in the black and white parts. She showed her mom who congratulated her for a good job and asked for her autograph. The black and white parts were a snow scene in your story, now thanks to the orange and red Crayolas, there is a lava portion instead. Did you collaborate with that 5 year-old? Are you going to denounce her book as non-canon? You can probably claim it's yours, if you claim the child is yours.

Did you create the character that appears in a comic? Did you come up with the plot? What about the readers who offer their interpretation of what happened? What about those who assign a meaning, to what happened, one you never thought of? Are you going to disagree with them in public? Or secretly claim that was your intention all along?  That character has left your hands and has been handled by someone else. They've made stories you couldn't dream of. You'll still get credit. After all Icebox and Ovenflame wouldn't exist without your initial guiding hand. The sad part is when Alan Moore reinterpreted them and brought about their sexual awakening, where we learn Ovenflame is a pyro-sexual and that that's ok, fans have started to ask for the "realistic" version. Your version is the cartoon version. It's dated, and for kids. At least, to those aware of it. Most people won't ever remember you were involved. No one will say it's yours.

No. No comic is ever yours. But there is a time where you pick one up, read it, and get invested in the story you read. That's the only thing you can claim ownership of:

The moment.

It's also true for when you hit save on the Word document, or add that final touch of India Ink to page 23. That moment is yours and it's precious, and the only unselfish thing to do it to share it.

Check out the gooses in Greasers in Geese

A lesson about comics, and maybe life.

Agree? Disagree? Feel free to respond below.

Dimitrios Fragiskatos
Author and new contributor to this blogspot

Check out our comics at Gryphon Knights Comics

and patronize us here

The Resource Known as Patreon

Greetings and salutations!!!

I wanted to turn you guys onto a resource the small comic company I run with @DimitriosFragiskatos & @HarperArsenal have begun to use. 

Our comic company has expenses as any company or artist does. Website costs, advertising, convention costs, and (what is often neglected) pay for any work we've done to for our company. We weren't sure how to meet these constant costs, and for a long time these expenses came out of our own pockets.

Finally we found Patreon! Patreon is a crowdfunding service that functions similarly to other CF services, except this one donors can contribute per month, or with comic books can donate per page published. Its pretty handy especially if you have regular readership. Those who are already interested & investing in your book are likely to donate. While the rewards are more difficult to figure out, many users have dollar subscriptions that just support their comic and $3 subscriptions that allow readers to see extra content on the Patreon.

Visiting a variety of users can soon help you garner some ideas on how to reward those who are faithful contributors. Things from one time rewards like sketches to monthly prints of pages of the comic. Another way to garner contributors is using a twitter management tool like justunfollow.com or others to set up automated messages to new followers providing the link to your comic and to your Patreon!

In the end it also never hurts to ask for contributions from those who have expressed interest in your book!

We've had good success with it thus far, and have actually found other people on the site that we ended up donating too. Also at the time of this writing Saturday Morning Breakfast Cereal (SMBC) Was making $100,000 a year. They are one of the most successful Patreon users there are. 

Finally if you haven't seen our work yet you can really our various webcomics on gryphonknights.com! If you have and you love our artwork & storytelling then please help by donating to our Patreon page at www.patreon.com/gryphonknights! Each donation allows us to focus more time on the comic, and will hopefully one day make us full time artists!

Tom Gryphon

PS. Hippopotamus Prime thanks you for any & all contributions you make!

Gryphon Knights at PETE's BASEMENT!

Last night we were invited over to Pete's Basement to talk about a bunch of our books, and upcoming books including, the soon to be published Frankenstein Vs. Dracula: Throughout the Ages!

We also got to discuss a bunch of indie issue ones, as well as some big events like Godhead, the female Thor, and the new Captain America. While they touched on certain things like the new Cap reveal, which was amusing because (spoiler alert!) Sam Wilson, acknowledged how much that it wasn't a surprise because of all the press and media in RL that focused on the event. 

However, I want to touch on something that I felt was relevant to the discussion but wasn't as light. I have mentioned in the past that its interesting how the mantle of our patriots passes on, and how our perspective of the Gods change, but how white, wealthy, Tony Stark is still white, and wealthy and in charge. Gail Simone recently asked on twitter "what hero do you not understand the appeal of," and for me it is none other than Tony Stark.

I have a lot more feelings on this topic which I might revisit later.

In the end the only thing that hasn't changed, and I repeat it here, is that the wealthy white guy is still in charge, and I would love for Tony Stark to be removed from the Marvel chessboard permanently.

In other news we had a great meeting yesterday with George Tsouris from GIVE UP GAMES, I believe we mentioned this company a bit on the podcast but I wanted to go in depth with our discussion yesterday. We talked to them about creating a fighting game for our recent franchise Frankenstein vs. Dracula. We brought some concepts with us, and he was sincerely excited about the concept. 

If you would also like to see a game like this let us know!

Parody & Radiation

Our one book, Meanwhile started because we all have a good sense for satire and parody. One day we were just sitting around having a few beers and discussing the real results from being bitten by something radioactive, or being exposed to serious radiation, or even getting struck by lightning around a series of chemicals. The results were amusing to hilarious, and I decided to draw up a few of the jokes we had made. Eventually these added up and we decided to share them as the book you now know as MEANWHILE...

The ideas continued, parodying other cliches and unwritten rules comics seem to be plagued with, but it eventually evolved into thinking about what certain characters would be like in different situations, including turning one of the seagulls from finding Nemo into an orange lantern. It was a perfect fit if I don't say so myself.

The name "Meanwhile..." was chosen, as these short strips would be interspersed between our more serious books, implying that these humorous tidbits were always going on in the background of our minds, even when we weren't directly considering them.

It was amazing how parody which started out as fun banter actually stretched our creative muscle and was very directly entertaining. People already knew the content from the mass media, so changing the context allowed them to understand the humor without having to stick with a story for ages. Some might consider it cheating because we are using someone elses premise to provide humor but humor can open people up to alternate ideas or complex ideas that are buried in the subject.

For example, poking fun at how a hero would more likely die from radiation, then successfully mutate also opens up the question of what would the probability be that someone could successfully mutate from radiation into an alternate species?

What would their abilities be?
Would they be able to procreate?

Perhaps our visions of superheroes isn't so unlikely after all, just very improbable, and that's what makes the situations humorous, or capture our imaginations, because we know that there is that slim potential.

I guess there is truth in humor, even when it is not purposeful.